M.I.A.’s “Born Free” Music Video – Who’s on the Bus?

UPDATE: As predicted, YouTube yanked the other upload of this video that I happened to find within 24 hours. You can watch it here on Vimeo – from the actual director’s page. (WARNING: This music video contains explicit, violent images)

This new M.I.A. video “Born Free” is something you have to watch, let roll around in your mind for a few hours, watch again, etc. Rinse, repeat.

In a nutshell, it’s a graphic political video that doesn’t hold back. A group of American soldiers storm through buildings and apartments searching for someone, and beating anyone who gets in their way. And who are they looking for? It turns out to be a resistant, young, white redheaded man. It becomes clear soon after that redheaded males are the only targeted group – and there’s an army-driven bus full of them. Ultimately, they are being driven off to be massacred.

One thing that this explicit video makes me think of is how the reign of MTV – and music television in general – is over. Not surprisingly, this video was primarily heard about through viral online tactics. As I’ve said before, the new music video platform is the internet. And what can you get away with on the internet? That’s right: Everything.

Sure, Marilyn Manson shocked everyone in the 90s when he released, for example, “The Dope Show” on MTV. But compare that to this M.I.A. video or the new Erykah Badu video and Manson just looks silly. I mean, the dude is only walking around in an alien body suit that gives him breasts…But this new wave of videos – these are forms of art that feel like they matter and are standing up for something. Artists are making statements not because they want to out-shock each other, but because they’re genuinely pissed off or impassioned. They are screaming to be heard.

As for M.I.A.’s video itself, there’s so much you could say. But I’ll give my first impressions. The choice of redheaded men as the target is the first thing to boggle your mind. Why them? It’s obviously symbolic in one way, or possibly in every way. You could say they represent Jewish people. You could say they represent Palestinians (and it’s interesting to note that the redheads attacking the bus are wearing red and white keffiyehs, most often associated with Jordan).

But for me what’s striking about this video isn’t who’s on the bus, but who’s not on the bus. People of color. Women. Girls. Blonde people. Dark-haired people. Old people. The only people targeted are light-skinned, redheaded boys and young men. But are M.I.A. and French director Romain Gavras trying to draw our attention to everyone who is and has been persecuted by marking their absence?

Another way to look at it is that it’s meant to make us realize how ridiculous profiling is. By asking, “Why the hell target redheaded young men?”, you might as well be asking, “Why the hell target Jewish people? Black people? Japanese people? Muslim people? Hispanic people?” The list goes on. The point being: There’s never a good reason for ethnic cleansing, prejudice, and profiling. It is never humane and it is never justified. And what good timing on M.I.A.’s part – just days after Arizona demands that Hispanics (or, sorry, only illegal immigrants…) show them their papers.

As for the artist herself, I do know this: Anyone who thought M.I.A. was done was horribly, horribly wrong. Long gone are the days of overplayed and eventually mediocre “Paper Planes.” M.I.A. does not just exist for you to announce that no one has “swagger” like you. This is why M.I.A. exists – to scream out against the world’s injustices. So get ready. ‘Cause it’s gonna get loud.

8 thoughts on “M.I.A.’s “Born Free” Music Video – Who’s on the Bus?

    • Thanks for reading! I agree – the more I think about the video, the more brilliant it is to me.

      And I’ve seen a few comments saying, “South Park did it first” and the like. I’m not quite sure what this means – haven’t seen or heard of an episode like that? Details?

  1. M.I.A. is a genius and a true artist. And the fact that she is singing “We are born free” over and over again behind this is simply amazing. And the fact that she herself was a refugee from Sri Lanka, and that her father was part of a resistance movement only makes this message more potent and harder hitting.

    I also think this is a video is ultimately and sadly relatable. I don’t think you have to be oppressed to find truth in it. I think so many people have been victimized, hurt, or abused. And they can find power in the solidarity of this video.

    Sigh. Ok I can stop talking about how much I love M.I.A.

    • Hell yeah!! Hence my getting very “M.I.A. Power Army” at the end of this…which I had not intended. But it just struck me how daringly political and forthright she is about standing up against injustice. And she NEVER skirts around it, which you have to admire.

      The snobby part of me is laughing inside, because everyone who only knew “Paper Planes” is about to get a shit storm of surprise coming towards them. That’s what always frustrated me about the overplayed nature of “Paper Planes” – no one really KNEW her music because of it! If they listened to ANY song on “Arular” or something on the rest of “Kala,” they would’ve heard the difference. And probably deemed it “weird.” But I guess I shouldn’t assume all of this…I’m just happy she is coming back with a bang.

  2. Pingback: More 2010 Music Video Goodness: Beyonce’s ‘Why Don’t You Love Me’ « Cultural Voice-Over

  3. Pingback: More 2010 Music Video Goodness: Beyonce’s ‘Why Don’t You Love Me’ | Cultural Voice-Over

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