M.I.A.’s “Born Free” Music Video – Who’s on the Bus?

UPDATE: As predicted, YouTube yanked the other upload of this video that I happened to find within 24 hours. You can watch it here on Vimeo – from the actual director’s page. (WARNING: This music video contains explicit, violent images)

This new M.I.A. video “Born Free” is something you have to watch, let roll around in your mind for a few hours, watch again, etc. Rinse, repeat.

In a nutshell, it’s a graphic political video that doesn’t hold back. A group of American soldiers storm through buildings and apartments searching for someone, and beating anyone who gets in their way. And who are they looking for? It turns out to be a resistant, young, white redheaded man. It becomes clear soon after that redheaded males are the only targeted group – and there’s an army-driven bus full of them. Ultimately, they are being driven off to be massacred.

One thing that this explicit video makes me think of is how the reign of MTV – and music television in general – is over. Not surprisingly, this video was primarily heard about through viral online tactics. As I’ve said before, the new music video platform is the internet. And what can you get away with on the internet? That’s right: Everything.

Sure, Marilyn Manson shocked everyone in the 90s when he released, for example, “The Dope Show” on MTV. But compare that to this M.I.A. video or the new Erykah Badu video and Manson just looks silly. I mean, the dude is only walking around in an alien body suit that gives him breasts…But this new wave of videos – these are forms of art that feel like they matter and are standing up for something. Artists are making statements not because they want to out-shock each other, but because they’re genuinely pissed off or impassioned. They are screaming to be heard.

As for M.I.A.’s video itself, there’s so much you could say. But I’ll give my first impressions. The choice of redheaded men as the target is the first thing to boggle your mind. Why them? It’s obviously symbolic in one way, or possibly in every way. You could say they represent Jewish people. You could say they represent Palestinians (and it’s interesting to note that the redheads attacking the bus are wearing red and white keffiyehs, most often associated with Jordan).

But for me what’s striking about this video isn’t who’s on the bus, but who’s not on the bus. People of color. Women. Girls. Blonde people. Dark-haired people. Old people. The only people targeted are light-skinned, redheaded boys and young men. But are M.I.A. and French director Romain Gavras trying to draw our attention to everyone who is and has been persecuted by marking their absence?

Another way to look at it is that it’s meant to make us realize how ridiculous profiling is. By asking, “Why the hell target redheaded young men?”, you might as well be asking, “Why the hell target Jewish people? Black people? Japanese people? Muslim people? Hispanic people?” The list goes on. The point being: There’s never a good reason for ethnic cleansing, prejudice, and profiling. It is never humane and it is never justified. And what good timing on M.I.A.’s part – just days after Arizona demands that Hispanics (or, sorry, only illegal immigrants…) show them their papers.

As for the artist herself, I do know this: Anyone who thought M.I.A. was done was horribly, horribly wrong. Long gone are the days of overplayed and eventually mediocre “Paper Planes.” M.I.A. does not just exist for you to announce that no one has “swagger” like you. This is why M.I.A. exists – to scream out against the world’s injustices. So get ready. ‘Cause it’s gonna get loud.

Erykah Badu Strips at the Grassy Knoll in “Window Seat” Video

Yes, you read that right.

This Erykah Badu video for the song “Window Seat” was filmed guerilla style and plays out in one single take. In a sentence: The camera follows Badu as she gradually takes off her clothes in a walk from a car to the place where President John F. Kennedy was assassinated in Dallas, Texas – while several tourists and bystanders (including children) watch in shock. Badu hails from Dallas herself, for whatever significance that holds on the video. Here’s the full (censored) version:

The video’s biggest strength is the fact that it was (and had to be) done in one single shot. The best parts are when we see Badu fidget and hesitate to take off the next article of clothing, looking around somewhat self-consciously. You can tell that it’s setting in what she’s actually doing, but she has to keep doing it because they literally only have one shot at it before people start to get suspicious. After all, they have no permits and a woman is stripping down in public. Cops are a definite possibility. (She was, in fact, later charged with a class C misdemeanor.) If this was a standard, highly stylized music video with editing cuts galore, it just would not have the same effect.

You can also watch the video on her website right now in reverse, along with a short commentary from Badu in the beginning. Equally fascinating.