Writers: Do you ever get that feeling when you read something truly spectacular – whether it be a novel, a poem, or a commentary – and think, “Damn! I wish I wrote that…” Most likely you do, and I refer to this as “Writer’s Envy.” (Surely I am not the first to dub it this, and again, I feel that self-loathing setting in…)
Well, I felt that this morning when I read Rebecca Traister’s “The Tina Fey backlash” on Salon.com. (Don’t be put off by the length – it’s totally worth the read.) It was everything I’ve been wanting to say since I read Sady Doyle’s post ripping Tina Fey and her character Liz Lemon to ideological bits and pieces. Though I can never say it better than Rebecca Traister did, I feel the need to add on/give my two cents anyhow.
Back in January, I wrote a post entitled “Liz Lemon: Feminist Icon (Havin’ It All).”Ahh, those were the days when I felt that Liz Lemon as a character on 30 Rock was a favorite amongst feminists, standing out as probably the best female role model on current-day television. Boy, was I wrong!
Turns out, some feminists in the blogosphere are displeased with Tina Fey and Liz Lemon in terms of feminist rank. Because apparently, there’s a hierarchy of feminism now, and the “superior” ones (like Doyle) know far better than the ones who are not quite up to par (like Fey).
In a nutshell: Tina Fey’s satirization of insecurities marked by the independent, career-oriented woman used to be funny and loveable, but are now offensive and non-progressive in the world of feminism. And then the Fey-hosted SNL episode happened, and online commentaries exploded with disappointment – most notably with Fey’s use of the word “whore” when taking jabs at Michelle “Bombshell” McGee. (In my opinion: totally hilarious. Is that so wrong?) If it had only just been creeping in before, the backlash was now officially solidified.
How did we get to this point? As Traister poignantly says:
“While it might be fair to argue that Fey has profited from a feminist embrace, she did not ever pretend to be a standard bearer for contemporary feminism. We’re the ones who made her that, who overidentified with her, or with Liz Lemon, or with the Weekend Update host who declared that bitch was the new black, and attached to her a passel of our highest expectations and ideals.”
Yes, WE projected this feminist role model onto her ourselves. Hence, my blog post in January. Though at the time, it was a light-hearted, short and sweet kind of post embracing Lemon’s differences from other female TV icons (i.e.: Carrie Bradshaw), as well as her relatability.
Here’s the thing though: I should not have to feel ashamed for liking Liz Lemon and being a feminist at the same time. I should also not have to be ashamed for thinking Liz is a good female character on TV right now. But most people who have the “Liz Lemon is not a true feminist” debate have this holier-than-thou attitude, thinking they possess some secret, hidden key to “real, truer” feminism – something that Tina Fey is supposedly failing at implementing.
It’s annoying. It’s also pretty insulting, because the arguer is most likely assuming that Tina Fey and her fans are too shallow or stupid to comprehend this “truer” version of feminism. It’s kind of like, “You know, even though I also watch 30 Rock regularly and probably laugh throughout the episodes, I am a distinguished feminist amongst you all for dissecting Liz Lemon and outing her as a fake.”
These feminists expect too much of Tina Fey. Realistically, how can anyone expect a comedy like 30 Rock to be politically correct and perfect in ideology when it’s whole premise is based upon calling out stereotypes by employing them comedically? Traister beautifully ponders this notion of “where to draw the line” between feminism and humor, saying point blank:
Tina Fey is a professional comedian. She is not a professional feminist.
Thank God. Someone finally said what I was thinking in two succinct sentences. Rebecca Traister, I might just start projecting a feminist role model onto you.
The last thing that bothers me about this backlash? Liz Lemon is growing as a character. Because – imagine that – most main characters grow as the show goes on! (The idea!) So why are we expecting perfection and feminist-to-a-tee behaviors and decisions from a character who is clearly still figuring her shit out in her late thirties? This is another reason why some of us women love Liz Lemon: She’s figuring it out, just like the rest of us. No one is a textbook feminist at all times. (And if you think you are, don’t kid yourself.) Liz becomes more confident as time goes on. She refuses to settle. She starts to realize her true worth. I believe the last few episodes of this season have started to point towards that.
A feminist is not just born; she is grown into throughout life. And who’s to say that by age such-and-such (late thirties, in Fey’s case), you need to have developed all capabilities of the ideal feminist? Regardless, every woman is an individual, and I think sometimes feminism forgets that. Or ceases to care, at least when trying to prove its point.
Hell, maybe I’m a bad feminist for all I know. But for me, feminism should never have hierarchies. This isn’t a goddamned hazing initiation, after all. It’s not about weeding out the bad feminists from the good ones, and it’s not about shaming other feminists for not being feminist “enough.” Let’s all learn from one another, yes. I’m glad that articles like these help me to engage in discourse on women’s issues. And trust me, it’s complicated and difficult when writing a feminist post criticizing feminists who critize women for not being feminist enough.
Last time I checked though, feminism was about equality. And one would hope that a group aspiring towards true equality would at least cheer on and support the ones who are trying – in whatever way that is their own – to break the mold in places where there was little room to make a dent in the first place.
Instead, we find part of that group tearing apart one of the few women in entertainment today who profoundly resonates with us.
And you wanna talk about progressiveness?