Tweet-Sized Thoughts on Media-Related Things: p1

In honor of my recent inability to write anything of length, I felt I had to post something for my own sake. So I think I will take a cue from my friend Britt Julious and her Sunday column idea…Though with this blog, it will just be a collection of my recent tweets on Twitter that happen to be media-related. (Note: Hopefully, on another day, some of these tweet-sized bites will grow into essays or articles.)

First impressions of a commercial for Sex and the City 2.

‘Sex and the City 2’ looks like a hackneyed, slightly racist mess. #SATC 8:44 PM May 6th

Update: Solange is still cooler than you, even while singing on one of those LSD-induced kids’ shows.

Dear @solangeknowles: Will you please make a full-length song of this Yo Gabba Gabba! thing? It’s damn catchy. 3:45 PM May 8th

A film I revisited and found it’s still one of my all-time favorites: Wim Wenders’ Paris, Texas.

“I walked around for months talking to you. Now I don’t know what to say. It was easier when I just imagined you.” Damn good film, Paris, TX 5:31 PM May 8th

Betty White hosting SNL Mother’s Day Episode. I basically live-tweeted the Betty White-hosted SNL episode…along with dozens of my friends. In a nutshell? It was glorious. Undoubtedly one of the best episodes SNL has had in a lonnnnnnng time. Because of Betty White AND the fact that they brought back a lot of the former female favorites for the Mother’s Day episode. They have to know that they can’t really make it any better than that ever again…But we’ll see with the Alec Baldwin episode tonight. (Which, in the promos for, they’ve already made fun of themselves and their one-time success with Betty White.) Key tweets include…

Betty White on #SNL! Awesome already. Just to hear her say, ‘Jay-Z is here!’ 10:40 PM May 8th

NPR ladies!! Muffin!! Betty White!! #SNL 10:49 PM May 8th

TINA!!!! #SNL 11:00 PM May 8th

Jay-Z medley!!! This is the best #SNL episode ever. 11:12 PM May 8th

Omg. Maya’s Whitney impression is always gold. #SNL 11:21 PM May 8th

Cannes Film Festival 2010 starts; French New Wave pioneer Jean-Luc Godard’s new film Socialisme.

The trailers for #Godard‘s new #film just speed up the whole movie in its entirety, instead of highlighting scenes 10:27 AM May 10th

RT: Racialicious explores Lady Gaga and white privilege.

Great read, fascinating. RT @britticisms Racialicious on how Lady Gaga’s white privilege makes her transgressive: 2:35 PM May 10th

RT: on the 90s MTV show Daria finally being released on DVD.

SalonMedia Remember the old MTV? “Daria” comes out on DVD 8:57 AM May 12th

“‘Daria’ could have only happened at that time, during that strange, transitional period after the grunge and gangsta rap of the early ’90s” 9:11 AM May 12th

RT: A friend lets me know about a development in the Polanski case.

DrMcButtcheeks @colleenclaes Honestly. Who saw this coming? about 22 hours ago

@DrMcButtcheeks But this just reminds me how I don’t even WANNA know how many old pervo Polanski did this to… about 22 hours ago

And that’s all for now. If you see anything you’d like me to elaborate on, please let me know! (Unfortunately, I don’t think my heart/anxiety can bear doing another lengthy post on Polanski…)

Why ‘Audition Day’ is One of the Best ’30 Rock’ Episodes…Ever

EDITOR’S NOTE: I’ll admit it – I just got into 30 Rock. But to be fair, in about two weeks’ time, I became officially caught up with all past three seasons. And I’m currently watching the fourth one as it comes on every Thursday. In case you’re still questioning my true devotion, I’ve watched maybe half of all the episodes at least twice.

SPOILER ALERT! This post contains spoilers for anyone who has not seen “Audition Day,” episode 4 in the fourth season of 30 Rock.

'30 Rock' title card screenshot, Wikipedia Commons

I can’t think of many other shows that utilize the art of “cultural referencing” as often and as successfully as 30 Rock. One of the things that makes the show so uniquely funny is its nod to relevant pop and daily culture.

I’ve been hearing people say that the show is “not that funny” this season. Seeing as how I was doubled over with laughter while finishing the third, these comments worried me. But once I started catching up with the current season, I was pleasantly surprised to find that I was laughing just as hard as I was in season three.

“Audition Day” – the fourth episode – is already a favorite of mine. I’ve watched it about five times since it aired. (Thank God for Hulu.) There are so many reasons why this particular episode makes that embarrassing snort escape from my nostrils while laughing too hard.

And trust me, I know that it’s not funny to point out why something is funny. So in the below list, I’ll try to just commentate briefly on my favorite moments:

  • The Liz Lemon audition tape from 1996: As Liz and Pete attempt to “rig” the auditioning system to get Jack to pick the actor they want, Liz expresses that she feels a little guilty using the other actors in this process. “So much rejection,” she reflects, as the flashback cuts in and we see an old audition tape of her trying out for a carpet cleaner commercial. “My name is Liz Lemon, and I am represented by Suzanne’s B+ Talent.”
  • Jack has bed bugs: And because of this, he is ostracized from the office and meetings. (“Did you just MUTE me?!”)
  • “Beat it, Grizz or Dot Com” – Jenna, to Dot Com
  • Jack on the subway, where he does the “homeless guy” speech, reworded to fit his own bed bug sufferings.
  • The whiny violin music behind all of “rejection” scenes. Very reminiscent of the sad Charlie Brown music.
  • “I’m not gay – I’m biiiiii-laarrrrrioussss!“: While gay humor does not…humor…me, I felt this was actually funny because it pointed to the ridiculousness of the “Funny Gay” stereotype. For another example, Tracy Morgan yelling, “I repeat, all funny gays into the car!”
  • The doughnut-eating woman “Hmmm-mmmmm”-ing onstage: This is the most random and nonsensically hilarious thing I’ve seen on TV in a long time.
  • And last, but certainly not least, dowdy Kathy Geiss doing the Susan Boyle “I Dreamed a Dream.” At this, I laughed so hard I cried as I watched this…on Hulu…alone in my apartment.

So there you have it. So much comedy and so many references packed into 30 (well, more like 21 with commercials) minutes. Yes, I say – 30 Rock’s still got it.

Oscar the Greedy

The Oscars keep changin’ up their program. In 2010, The 82nd annual Academy Awards will have not one, but two hosts for the first time since 1987. Luckily, these two are none other than Alec Baldwin and Steve Martin. But this isn’t the first big change the Academy has made to its next ceremony.

Quite a few months ago, The Academy announced that it was expanding its Best Picture category to include ten nominees instead of the normal five. According to a Variety article, this will not affect any other categories, such as Best Director. This seems a little odd…And to top it off, the people at the Oscars are possibly drawing on the past once again for this big change. Variety says:

The Acad had 10 pic nominees between 1931 and 1943.

(Quick note: “The Acad” is short for “The Academy.” Variety loves to do these kinds of things with their lingo. See: “thesp” instead of the completely normal and necessary “actor.”)

All trivial nicknames aside, I personally find it odd that The Academy is opting to go back to something that hasn’t happened since 1943. And it’s such an obvious change. The expansion of the Best Picture nominee seems…pointless. After all of the past films that have been overlooked for Best Picture (ahem, Children of Men, anyone?), you could look at this as a good thing. However, given The Academy’s record taste in nominees, I can assume this just means five MORE not-so-deserving films to be added to the list.

Of course, I’m sure that the phrase “deserving films” means something entirely different to me than what it means to the Oscars. Come to think of it, maybe there’s no point in debating the relevancy of what is Oscar worthy, seeing as how I’ve rarely agreed with The Academy’s decisions in past ceremonies…

Oh hell, who am I kidding? I’ll watch the Oscars in 2010 just like I do every year. I’ll throw a small viewing party, sip on champagne and pretend to be Charlize Theron while hoping from the bottom of my little heart that the unassuming film wins it all. Because that’s what the Oscars mean to me – hoping for what probably won’t happen. And this coming year, I suppose I’ll have five more reasons to yell and throw empty plastic cups at the TV screen.